 Aimée & Jaguar is a 1999 German war and drama film set during World War II. It was written  and directed by Max Färberböck, based upon Erica  Fischer's book, chronicling the actual lives of Lilly  Wust and Felice Schragenheim during that time  period. The book also contains photos of the many letters shared between the  two, and official correspondences post WWII with regards to Felice's  whereabouts. It stars Maria Schrader, Juliane Köhler, Johanna  Wokalek, Elisabeth  Degen, Heike  Makatsch, Detlev Buck.
Aimée & Jaguar is a 1999 German war and drama film set during World War II. It was written  and directed by Max Färberböck, based upon Erica  Fischer's book, chronicling the actual lives of Lilly  Wust and Felice Schragenheim during that time  period. The book also contains photos of the many letters shared between the  two, and official correspondences post WWII with regards to Felice's  whereabouts. It stars Maria Schrader, Juliane Köhler, Johanna  Wokalek, Elisabeth  Degen, Heike  Makatsch, Detlev Buck. The film explores the lives of the characters Felice Schragenheim (Maria Schrader), a Jewish woman who assumed a false name and who  belongs to an underground organization, and Lilly  Wust (Juliane  Köhler), a married mother of  four children, unsatisfied with her husband (a German soldier). Felice takes the  initiative in the love affair. Lilly, fascinated with the strength of Felice and  her friends, falls deeply in love because she realizes that she can give love  with a cosmopolitan woman rather than merely receive love from a man. The film  features both sensual erotic encounters and sentimental love poems (quoted from  the book), and during one love scene a poetic line emerges in which Lilly is an  Aimée to Felice as Jaguar.
The film explores the lives of the characters Felice Schragenheim (Maria Schrader), a Jewish woman who assumed a false name and who  belongs to an underground organization, and Lilly  Wust (Juliane  Köhler), a married mother of  four children, unsatisfied with her husband (a German soldier). Felice takes the  initiative in the love affair. Lilly, fascinated with the strength of Felice and  her friends, falls deeply in love because she realizes that she can give love  with a cosmopolitan woman rather than merely receive love from a man. The film  features both sensual erotic encounters and sentimental love poems (quoted from  the book), and during one love scene a poetic line emerges in which Lilly is an  Aimée to Felice as Jaguar.
Then one day Lilly’s husband gets leave from the  front and arrives home, only to see Felice and Lilly in bed. Although he then  hoped merely to punish her for her indiscretion so that his marriage would  return to normal, Lilly surprises him by asking for a divorce. He later dies at  the front. Felice and her friends stop seeing Lilly for the sake of her own  survival.
On one occasion, Lilly erupts in anger over Felice’s unexplained absence for days, so Felice shares her secret that she is Jewish. After the July 20 Plot Lilly’s friends fear for their lives and arrange to flee Germany before they are rounded up. Felice prefers to take her chances in order to enjoy the love of her life, though unfortunately not for long, as Felice is captured by the gestapo. She died during a march from Gross-Rosen concentration camp in Poland to Bergen-Belsen concentration camp in Germany.
The story has two bookends. When the film begins in 1997, an 83-year-old  Lilly (then played by Inge Keller) is taking up residence in a dilapidated flat  that once served as an underground hideout. Lilly’s German maid Ilse (played by  Johanna Wokalek in the 1940s, by Kyra Mladeck in 1997), who was rounded up  during 1945, is already a tenant. Lilly and Ilse reminisce as the film ends.  Lilly, though saddened by the tragedy that she caused her friends and lovers, is  unable to imagine how her life could have been any different, given her  obsessive live-for-today-for-tomorrow-we-die mood, common among besieged  Berliners.
Lilly Wust lived in Berlin till the day of her death on 31st March 2006. The tagline of the film, "Love Transcends Death," underscores how the book and film serve as sentimental memorials to Felice Schragenheim. However, the life of Lilly Wust is a paradigm of sorts for contemporary Germany.
The movie was nominated and won many German awards (both Köler and Schrader notably won the best actress Silver Bear) and also was nominated for the Golden Globe Award for Best Foreign Film.
| Directed by | Max Färberböck | 
|---|---|
| Produced by | Hanno  Huth Günter Rohrbach Lew Rywin | 
| Written by | Max  Färberböck Erica Fischer (book) Rona Munro | 
| Starring | Maria  Schrader Juliane Köhler | 
| Music by | Jan A. P. Kaczmarek | 
| Cinematography | Tony Imi | 
| Editing by | Barbara Hennings | 
| Distributed by | Senator Film | 
| Release date(s) | February 10, 1999 | 
| Running time | 125 mins | 
| Country | Germany | 
| Language | German | 
- Maria Schrader as Felice Schragenheim (Jaguar)
- Juliane Köhler as Lilly Wust (Aimée)
- Johanna Wokalek as Ilse
- Heike Makatsch as Klärchen
- Elisabeth Degen as Lotte
- Detlev Buck as Günther Wust
- Inge Keller as Lilly Wust (1997)
- Kyra Mladeck as Ilse (1997)
- Sarah Camp as Frau Kappler
- Klaus Manchen as Herr Kappler
- Margit Bendokat as Frau Jäger
- Jochen Stern as Werner Lause
- Peter Weck as Chefredakteur Keller
- Lia Dultzkaya as Hulda
- Dani Levy as Fritz Borchert
- Rüdiger Hacker as Ernst Biermösel
from: wikipedia
 
 
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